Our final ITAP lecture consists of only one
single principle – the lecture itself, on the use of text and image. Knowledge
of this topic is essential for visual communicators, particularly graphic
designers and illustrators. Text gives images a context if they don’t have one,
or a new one if they do. Consider the image below:
There is little that we can gather from
this. Maybe the artist likes fields, but that’s just wild guessing. The point
is, on it’s own, the image means nothing. If it were alongside other photos, we
might gather a little more. If it were in a police station, we could assume
that it is a crime scene. Images need some form of context to be meaningful.
That’s not to say that a caption or a second image is needed, necessarily, the
context can be easily integrated, but it must be there.
Something else to consider though is that
context can be misleading. It is only in our minds that two things next to each
other are connected – there is no logical reason for this to be the case. The
fact that we associate two things next to each other is used by us
subconsciously all the time. When you caption an image, you do not feel the
need to tell the viewer that you are captioning that image and not just writing
there, as it is accepted in our minds that the things are related. But this
concept can also be exploited, and often is. Tabloids often use it to shock,
putting headlines that alone are acceptable (or at least not as shocking as
with a picture) next to unrelated and similarly innocuous images that together
mislead the viewer and create something very provoking.
Related to this, is that even when captions are deliberately attached, they are not always truthful. The photo below I took at the student protests in London over the rising tuition fees. By changing the caption, the meaning of the image completely changes:
The bonfire party was a huge success. |
Mob of youths kidnap South London woman and burn her alive during horrific spree of gang violence. |
Another artist that uses changes of context is John Hilliard, a conceptual artist who uses photography to show its uncertainty as a documentary tool. Of particular note is Cause of Death (below), which depicts the same staged murder scene framed and captioned in 4 different ways, leading the viewer to a different conclusion for each one. At the time it was made, it was revolutionary, as black and white photography was heavily associated with documentary photography, and therefore truth.
Clockwise from top left, words read: Crushed, Drowned, Burned, Fell |