It’s been a while
between blog posts recently. I have actually got some stuff I’ve been meaning
to put up, but I’ve been a bit busy with these lectures, and with actually
doing the stuff that I’ve been meaning to put up.
Okay, anyway, I’m not
quite sure what’s going on with this lecture… We were given 5 principles at the
beginning, and reminded of them at the end, but everything in between was filed
under the first one, and I’m not sure what 3 of them even mean… But lets give
it a go. Here’s this weeks essay:
This week’s lecture is
on originality, or when it is okay to steal someone’s idea. The immediate
reaction (or mine anyway) is that you cannot steal someone’s idea – it’s more
interesting to come up with an original idea, and stealing someone else’s can
get you sued. However, this is not as strict as you would immediately think.
First of all, everyone is inspired by something, so all ideas come from
somewhere else. In addition, as time goes on people become inspired by things
that were created by people that were inspired by other things. For example;
(spoiler alert if you haven’t read/watched/listened to Harry Potter, The Lord of the
Rings or The Ring Cycle by
Wagner) The Horcruxes in Harry Potter
(written over 1997-2007) are very similar in nature to the One Ring in The Lord of the Rings (written over
1937-1949), as both contain the soul of an evil being, both are central to the
plot, the destruction of each are the aim in order to destroy an evil overlord,
etc. In turn, Tolkien took inspiration for his world from mythology. Though it
shares some of his source material, he denies taking inspiration from The Ring Cycle by Wagner (written over
1848-1874), despite the fact that two of the characteristics possessed by the
One Ring (it’s malevolence and corrupting power) were not in the mythical
sources, but have a central role in Wagner’s opera. You can see from this how
ideas have been taken from one source to the next and passed down as
inspiration. Regardless of whether you personally enjoy them, these are all
fantastic forms of media, and yet the ideas are not original.
Another way in which
stealing ideas is accepted practice is in recontextualisng them. This is to
take an old idea, and put it into a new context, thus creating something new
and interesting and perhaps relevant to contemporary culture. This can occur in
varying degrees, with different ramifications. For example, the (rather appropriate) quote by Picasso "The bad artists imitate, the great artists steal", stolen by Banksy (pictured below) makes for an ironic piece of work that is funny in a quirky sort of way. The act of stealing is itself the artwork in this case.
The work of Banksy is controversial – he is
considered by many to be a vandal, due to the nature of most of his work. In
this he is somewhat similar to the Chapman brothers, who have previously been
accused of ‘cultural vandalism’. Their work involves taking classical
masterpieces and defacing them.
Chapman brothers 'vandalism' on the right, next to Goya's original Contra el bien general |
They consistently seek to overstep social
boundaries, and in doing so they create pieces of work that are built on
provocation, rather than being an inherently original idea. In this sense, how
original the idea is, is irrelevant. The purpose is to provoke; there is an
argument in there, and it redefines the whole notion of what art can be.
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